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At breakfast Mona betrays the fact that she has met Paul Rodney during her morning ramble, and tells all that passed between him and her,—on being closely questioned,—which news has the effect of bringing a cloud to the brow of Sir Nicholas and a frown to that of his mother.,

"There is food," said he, as he put it down by the woman. "Now to-morrow move your camp over to our lodges. Do not fear anything. No matter what strange things you may see, do not fear. All will be your friends. Yet about one thing I must warn you. In this you should be careful. If you should find an arrow lying about anywhere, in the piskun or outside, do not touch it, neither you nor your wives nor your children." When he had said this he went out.,

"No, no; this is not a time to forsake one in trouble," says Mona, faithfully, but with a long, shivering sigh. "I need see nothing, but I must speak to Kitty.",

"For the future your services will not be required here. Your new master, Mr. Paul Rodney, whom you have chosen to obey in preference to those in whose employ you have been, will give you your commands from this day. Go to him, and after this try to be faithful."

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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

Geoffrey says nothing. But Sir Nicholas, as though impulsively, says,—,

As they were standing there looking at the water as it flowed by, the woman asked Old Man, saying, "How is it; shall we live always? Will there be no end to us?",

An hour later, coming out of it again, feeling harassed and anxious, he finds Dorothy walking restlessly up and down the corridor outside, as though listening for some sound she pines to hear. Her pretty face, usually so bright and debonnaire, is pale and sad. Her lips are trembling.